In a touching collection of tributes from leading figures in the film industry, Asif Kapadia emerges as a transformative voice in film criticism, whose tenure at The Guardian left an indelible mark on both filmmakers and audiences alike. The acclaimed director and critic, who passed away at 91, garnered heartfelt remembrances from notable directors and producers who experienced firsthand his unique approach to film criticism.

Stephen Frears, the distinguished director, recalls Kapadia’s characteristic wit and mischievous demeanor, noting how he would approach even the most formal occasions with cleverly deflating remarks. Frears particularly remembers how Kapadia’s review of “My Beautiful Laundrette” as “groundbreaking” proved to be a pivotal moment, fundamentally altering the trajectory of numerous careers, including his own.

The impact of Asif Kapadia’s critical voice resonated deeply with filmmaker Asif Kapadia, who credits the critic’s reviews in The Guardian as instrumental in shaping his cinematic education. The younger Kapadia describes how, as a student, he would actively seek out French and Polish films that received favorable reviews from the critic, finding that these recommendations invariably led to remarkable cinematic discoveries. This trust in Kapadia’s judgment speaks to the critic’s remarkable ability to identify and champion worthwhile cinema, particularly works that might otherwise have gone unnoticed by mainstream audiences.

In the pre-internet era, when film critics wielded considerable influence, Kapadia’s weekly film recommendations became essential reading. His writing stood out for its focus on international cinema, often highlighting works beyond the mainstream American studio system. This approach proved particularly meaningful for young filmmakers like Kapadia, who found themselves diverging from popular taste and seeking more challenging cinematic experiences.

The relationship between critic and filmmaker took on a personal dimension when Kapadia reviewed “The Warrior,” shot on location in India. Their shared appreciation for Indian cinema and actors created an unexpected connection, showcasing Kapadia’s broad cultural understanding and openness to diverse cinematic traditions.

At film festivals and screenings, Kapadia’s presence was marked by a distinctive combination of friendliness and incisive commentary. His role as jury president at various festivals revealed a leadership style that balanced inclusive discussion with decisive judgment. According to those who served alongside him, he had a unique ability to let everyone voice their opinions before skillfully steering the group toward the most deserving winner.

His approach to criticism was characterized by a steadfast independence and unwavering commitment to artistic merit. At Palace Pictures, industry insiders recognized that Kapadia remained unmoved by industry trends or the allure of emerging filmmakers. His steely-eyed assessment of cinema came with a notable reluctance to unnecessarily criticize films, yet when reviewing works by directors he deeply admired, such as Satyajit Ray or Robert Bresson, his convictions were unshakeable.

Beyond his role as a critic, Kapadia demonstrated a genuine concern for the industry’s broader health, particularly during the challenging period of the 1970s when cinema attendance declined and venues increasingly turned to bingo to survive. His understanding of the commercial pressures facing exhibitors and distributors, combined with his unwavering defense of cinema as an art form, made him a uniquely valuable voice in British film culture.

His influence extended beyond mere criticism; Kapadia wielded his considerable authority with a delicacy that earned him respect throughout the industry. His ability to balance artistic integrity with practical industry concerns made him an influential figure whose impact continues to resonate through contemporary film culture.

The tributes paint a picture of a critic whose twinkling eyes and sharp wit were matched by an unwavering commitment to cinema’s artistic potential. His support provided crucial encouragement to countless filmmakers while helping audiences discover meaningful works that might otherwise have remained in obscurity. In today’s fragmented media landscape, where critical consensus has largely disappeared, Kapadia’s thoughtful, principled approach to film criticism serves as a reminder of criticism’s vital role in nurturing and sustaining cinema culture.

His legacy lies not just in the reviews he wrote or the films he championed, but in his demonstration that critical authority could be exercised with both conviction and kindness, helping to illuminate the path forward for both filmmakers and audiences in their shared exploration of cinema’s possibilities.

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